Thursday, June 30, 2016

Coats & Clark outdoor thread makes sturdy patio cushion


Yesterday I gave you instructions for sewing a cushion using outdoor fabric and Coats & Clark outdoor thread. Here's the block I chose for cushion #2.


Block diagram for cushion #2

For your second 18" cushion you'll need:

Green stripe

  • 2 – 3½" x 18½" and 1 – 6½" x 18½".

For my cushion, I cut one of the 3½" x 18½" strips with the stripe going in the opposite direction.

Black

  • 1 – 3½" x 6½" for the cushion front
  • 1 – 18½" x 18½" for the cushion back

Bias strips 2½" wide. You’ll need about 74" in length. Join pieces as necessary to make this length.

Green solid

  • 1 – 3½" x 18½", 1 – 3½" x 3½" and 1 – 3½" x 9½"

Cording (I used a soft, ⅜" diameter cotton cording for this cushion): approximately 74"

18" pillow form

1 spool of Coats & Clark outdoor thread in the color of your choice.


Pieces cut out for cushion #2

Using Coats & Clark outdoor thread, sew the pieces together to make an 18½" square. Finger-press seams open. You may press seams open with an iron if you wish. Be sure to test the setting on your iron on a fabric scrap to make sure it's not too hot.


The pieces are sewn together.

Follow the instructions for cushion #1 from yesterday to trim the corners and make the black covered cording. Sew on the cording in the same way as for cushion #1. Then sew the front and back together, leaving an opening to insert the pillow form. Insert the pillow form and adjust it as necessary for a good fit. Hand-stitch the opening closed.

 


Cushion #2

Now you have another cushion to add to your collection! Come back tomorrow and I'll give you instructions for one more outdoor cushion. Using this outdoor fabric along with the Coats and Clark outdoor thread can become quite addictive!


Cushion #2 all ready to use!

Wednesday, June 29, 2016

Extend the life of your patio decor with Coats & Clark outdoor thread


Yesterday we talked about outdoor thread and fabric. Now let's get started on a cushion for your favorite outdoor space.

Because outdoor fabric is quite heavy, I wanted to use simple design for my cushions. I went to one of my favorite reference books for modern quilt blocks, Tula Pink’s 100 Modern Quilt Blocks.


Tula Pink's 100 Modern Quilt Blocks

The 100 blocks in this book are all 6" x 6", but the simple designs are easy to re-size. I chose 3 different blocks for my outdoor cushions. Here’s the one I chose for cushion #1. I re-sized this block so the finished size would be 18" square.


Block design for cushion #1

For my 3 cushions I bought 1yd of green stripe and ½yd of black and solid green. I also bought 1yd of black fabric for the cushion backs.


Outdoor fabric to use for 3 cushions

Here’s what you’ll need to cut for an 18" cushion:

Green stripe

  • 1 – 3½" x 6½" and 1 – 9½" x 15½"
  • Bias strips 2⅝" wide. You’ll need about 74" in length. Join pieces as necessary to make this length.

Black

  • 1 – 3½" x 3½" and 1 – 6½" x 9½" for the cushion front
  • 1 – 18½" x 18½" for the cushion back

Green solid

  • 1 – 3½" x 15½", 1 – 3½" x 9½" and 1 – 6½" x 6½"

18" pillow form

1 spool of Coats & Clark outdoor thread in the color of your choice


Pieces cut out for cushion #1

2⅝" bias strips for cording cut from striped fabric

You'll also need about 74" of cording. I used a soft, ½" diameter cotton cording.


½" soft cotton cording

Using Coats & Clark outdoor thread, sew the pieces together to make an 18½" square. Finger-press seams open. You may press seams open with an iron if you wish. Be sure to test the setting on your iron on a fabric scrap to make sure it is not too hot.


Pieces sewn together for cushion #1

I find that the finished cushion is a better shape if you round the corners or cut them on a slight angle. I made a cardboard template to use as a guide for cutting. I started the angle at 4½" from the corner and removed about ½" of fabric at the widest point.


Trim the corners using a cardboard template as a guide.

All 4 corners have been trimmed.

Trim the black 18½" square to match the cushion front.


Back of the cushion has been trimmed to match the front.

Come back tomorrow and I'll show you how to make the cording and add it to the cushion for a very professional look!


Making cording to match your patio cushion


Now it's time to make the cording for your cushion.

See yesterday's post for the cutting instructions for making the bias strip. Fold the bias strip around the cording, right side out. Using a zipper foot and Coats & Clark outdoor thread, stitch as close to the cording as possible. Be sure to keep the outside edges of the striped fabric even. You will have a seam allowance that is approximately ½".


Use a zipper foot to stitch close to the cording.

Place one end of the cording in the center of one side of the cushion top. Starting about 3" from the corner, sew the covered cording to the cushion front. Make sure to stitch as close to the cording as possible and keep all outside raw edges even. When you come to the corner, stop stitching about ½" from the corner and back stitch. Make a diagonal cut in the seam allowance of the cording. This will help to ease the cording around the corner.


Make a diagonal cut in seam allowance of the cording.

Continue sewing the cording around all sides of the cushion top. When you come to the last side, stitch about 3" past the corner and back stitch. Remove the cushion top from the machine. Adjust the cording so it lies flat. Stitch the 2 ends of the cording fabric together using a 45° seam. Finger-press seam open. Trim excess fabric.


Stitch the ends of the cording fabric together.

Trim the cording so the two ends butt up against each other. It’s a good idea to tape these ends to prevent fraying.

Finish sewing the covered cording on the cushion top.


Tape both ends of cording to prevent fraying.

Place the cushion back and front right sides together. Pin the corners together first. Then pin as needed to keep all outside raw edges even. With the back section on top, sew the 2 pieces together using Coats and Clark outdoor thread. Stitch as close as possible to the cording. Using a small, flat headed screwdriver pushed against the cording will help you stay close to the cording. Leave an opening in center of one side so you can insert the pillow form.


Pushing against the cording with a small screwdriver helps you stitch close to the cording.

Insert the pillow form and adjust it as necessary for a good fit. Hand-stitch the opening closed.


Insert pillow form.

And now you have your cushion all ready to enjoy in your outdoor space. The outdoor fabric and Coats & Clark outdoor thread will stand up well to all the summer elements! Be sure to check out the Coats & Clark Blog for more great quilting and sewing projects.

 


Finished cushion

Tuesday, June 28, 2016

Using outdoor thread from Coats and Clark


One of the newest trends in home décor is the decoration of outdoor space. Now you can personalize your outdoor living space with furniture and accessories that reflect your own style. Coats & Clark Outdoor thread is the ideal thread for sewing and repairing outdoor pillows, umbrellas and awnings. Created to resist almost every form of weather related abuse, including UV rays and moisture, this thread is a 100% continuous multi-filament polyester thread that comes in many different colors. You can have a look at all the colors on the Coats & Clark Sewing Secrets blog site.

The thread is quite heavy – the heaviest that can be used on a home sewing machine.

Here are some tips from the Coats and Clark Blog for using this thread:

1. Use a size 18 or 20 needle

2. Use a longer stitch length, 6-8 stitches per inch, or 4 mm. A thick thread needs more space to form a stitch

3. Increase top tension

4. Sew slowly. The thread is thick and less flexible than all-purpose thread. Stitch quality will be better if you slow down!

These care instructions for the thread come from the Coats and Clark website:

Wash in warm water
Bleach not recommended
Tumble dry, low
Iron, low heat
Professional dry-cleaning recommended

It’s always a good idea to sew a few swatch samples to adjust the tension and stitch length for your machine. You should also try pressing these swatch samples to find out the best setting for your iron and fabrics.

There are many weather-resistant fabrics available now. The care of these fabrics is usually indicated on the bolt, so be sure to make note of it when buying your fabrics. It will probably be very similar to the care suggested for the Outdoor thread.

I received this thread collection from Coats and Clark a few weeks ago.


Coats & Clark outdoor thread

Coats & Clark outdoor thread

Then I went looking for outdoor fabric to make some cushions. Here’s what I found.


Outdoor fabric

Come back tomorrow and I’ll give you instructions for making a cushion for your patio using this outdoor fabric and thread from Coats & Clark.


Monday, June 27, 2016

How to turn a mindless quilt label into a spectacular one


The quilting


Thank you for joining me today on Sunday QUILTing. I had so much fun making the I Love to KNIT quilt with mom and it will certainly be a top favorite of mine for so many reasons.

I decided to have this quilt quilted by Christine Baker, one of our very superb and exciting QUILTsocial bloggers, a longarm quilter, quilt designer and such a lovely person. I love her free motion work and I sent her a drawing of how I wanted the quilting to be done, along with the quilt top and backing. When sending quilting instructions to a longarm quilter, the best way to get your message across the miles, is by a drawing.


I sent Christine Baker a drawing of what I wanted the quilting to look like for the I Love to Knit quilt.

What I wanted is that she should follow the diagonal lines on the backing and quilt meandering yarn along these lines. Every 'line' should have one ball of yarn, mimicking the printed pattern. Christine doubled up the meandering line making it look more like yarn than thread! Brilliant!

Then I asked that she should create the same pattern crosswise. This sort of quilting is not dense which makes the quilt 'warmer' to the touch. It's been my experience that the denser the quilting the cooler the quilt is to the touch.

She used black and red variegated thread - perfect!


The quilting mimics the print on the fabric, balls of yarn and meandering yarn.

At first, if you don't know that the quilting is supposed to be balls of yarn and meandering yarn, the quilting is almost like broken silhouettes.

The label


I think the label should reflect the quilt. I know most quilters are so happy to get to the end of every quilt project and start a new one that the label is just simply that. But for me, there's no race, no limit and no stopping the amount of creativity that floods my mind. A project is finished when all the pieces fit together just sew ; )

I imagined my label by daydreaming, now and then, since it's not a matter of sitting down in a garden to do this. To solidify these thoughts I drew them on paper. You don't have to get it right the first time, you just have to 'doodle' or make a mock up.

My love for postcards dictates the 'frame' (I love receiving them and I love sending them). Another possibility could have been to shape the label as a ball of yarn.

Look at the printed pattern on your fabric, are there elements that could be drawn out to 'frame' your label? Say your print was about houses, wouldn't it be natural to shape the label like a house, sewing different pieces to make the walls, the roof, and door. How about a quilt block from the quilt itself? Ah, to daydream is to draw in your mind in an instant all possibilities, until you reach the one that speaks to you the loudest.

Here's the drawing with which I was most happy.


Draw you quilt label on paper, it'll give you a clear idea of what it's going to look like. It also helps with figuring out dimensions.

Perhaps it's not surprising I should stitch it out. Hand stitching a label is as meditative as hand stitching the binding. It can certainly make the label a topic of conversation!

Draw it on your piece of fabric. I chose a white piece and used threads in colors black, gray, red, and pink, as these are the only colors on the quilt fabric.


Draw your label in pencil, in hind sight, I should have used the erasable fabric markers, but lesson learned (I'm so old school - gees!) Then stitch it out using a simple stem stitch.

You can go absolutely crazy with the stitches, or just use a simple stem stitch. So easy. Check out all the stitches out there on line, and in A Needle Pulling Thread magazine! It's going to make your head spin at the multitude of stitches possible!

If you don't want to hand stitch it, there are machines that have built-in script you can use to write out your information and a surprising library of built-in decorative stitches - you know it.

 


Placing a light interfacing between two layers of fabric to create a batting-like effect for the quilt label

When the hand stitching was done, I used fine interfacing to create a batting-like effect. Then mom sewed the lines on the postcard by machine to capture all three layers.


The finished quilt label. The little tag was inspired by Elaine Theriault in one of her QUILTsocial post from 2015.

The finished quilt label. The little tag was inspired by Elaine Theriault in one of her QUILTsocial post from 2015. In her post, you'll get other ideas of how to make original quilt labels and how to really add personality to your quilts!

All that remains is to decide where to place the quilt label? I think it pops more if placed on the red fabric. It gets lost on the floral patterned fabric - this pattern and the postcard are both too busy. I don't want to put it on the black fabric.

On which of the two fabrics would you stitch it on?

Join me next Sunday, I'll have the quilt bound, and the label hand stitched on as well. Oh, and mom and I will start the next project - a forgotten UFO!!!


The finished quilt label on the red fabric of the I Love to Knit quilt

The finished quilt label on the floral fabric of the I Love to Knit quilt - a little too busy

Friday, June 24, 2016

Creating with kids and the PFAFF creative sensation pro


I shouldn't have been surprised. My son came in to find the creative sensation pro going "all on its own" and was immediately fascinated! Yes, I let my son create on the PFAFF - and I think he'll remember it forever.


PFAFF creative sensation pro embroidering

Here's how my son came to design on the creative sensation pro and the lessons I learned along the way.

He has a little stuffed penguin toy that is his buddy. It goes everywhere, does everything with him and even tries to talk;) My son has started dropping hints that he would like to make Timmy, the stuffed penguin, a quilt of his own. I have been skirting around the request and hoping he wouldn't notice. I started thinking about fitting it in to my schedule next month.
Well, consider it squeezed in tonight!
Tonight being almost 7:30 at night.
Yes folks, he asked if he could design a quilt for Timmy with this machine. And I said yes.

First he sat down and scrolled through the embroidery designs. I knew there were a few penguins in there and he picked one out.


Then he decided it needed to be big! Much bigger.
He really liked the stylus so I told him which buttons to touch and we changed the hoop to the biggest that comes with the machine - the creative Deluxe 360x200 Hoop.


Then he touched the Resize button and used the stylus to enlarge the design.
Up came the biggest "I'm thinking don't touch anything please wait" hourglass I've ever seen!!

 

What did I learn? The creative sensation pro likes to say YES to big creative ideas!

{and so do I!}


Selecting design with stylus

When he came in the machine had been typing out words, so he wanted to add Timmy's name to the quilt too.

We picked out the same embroidery font in a size that I thought would look balanced with the large penguin design.


Spelling with embroidery font

The design fit. Next he was concerned with thread colors. He had already watched my design stitch out and realized that the colors suggested on the screen could be changed.

Now all of my spools of colorful thread are lined up across the space that's left around the machine.

He asks what color fabric we're going to use and I suggest yellow - his favorite!
I knew I had some extra stashed away with a quilt kit that I'm planning to make for his birthday - a kit HE picked out in a quilt store last year.
I might have a budding quilter here!

I cut a fat quarter piece of the fabric and we decided to use the same fabric for the back of the quilt too. I ironed the fabric and layered the top piece with the batting underneath.
After a few inquiries about what the batting does, we had the hoop loaded and ready. I threaded the white onto the machine, adjusted the speed and he pressed the Stop/Start button.
Then he watched. And waited.

 

What did I learn? It's fun to have creative control of a project and to encourage someone else's creativity. Also, you can never have too many colors to choose from!


Watching design stitch out

My son decided to watch a TV show - to see if the design would be done when the show ended.
At this point the bobbin needed changing, which is easy enough to do on this machine even when embroidering.

You can move the hoop to bobbin position - except this hoop is so big that it bumped against the wall behind my machine and didn't quite get to the right position.
After removing the hoop and filling the bobbin it took a few minutes of moving the needle position to get back to the right spot. But we did and started stitching out once more.

 

 


Bobbin speed

Twenty minutes later my son's show ended. He showered. Had a bedtime snack. Went to bed.
I rethreaded the machine several times as the thread started breaking more often. About every 500 stitches or so! Eventually I changed out the spool for a different one and much less breakage.
He's snoring and now the white is finished.


White finished

Time to switch to black and wait . . . another 59 minutes?!
 


Embroidery stitch out details

I let the black stitch out while I checked email and browse around online.

What did I learn? Embroidering large designs takes a lot of time.


Stitching out the black

Now what? Do I keep going? How much longer can it really take!

I decide that it's too close to my bedtime to keep going. I save the design in the personal folder and turn the machine back on in the morning after making coffee. I have to go teach today but I figure we can get a bit more done before school.


Design saved

When I pick out the saved design I do have to change back to the Deluxe Hoop. I slow the speed down and get started with the new color. But the design doesn't seem to be matching up exactly and I stop the stitch out.

I'm not sure what happened exactly, but at this point I'm committed to finishing the design. It's only a quilt for a stuffed animal anyway, right?

Well, my son is a bit puzzled too why it's not lined up exactly and has plenty of suggestions to try. It is a school morning so we turn off the machine to deal with it later.

I end up home before him and try the outline again. Still not perfect but I'm okay with it. Quickly I change the thread to finish the name. It looks good!

In the end the fat quarter is obviously way too big for the stuffed penguin. I ask my son how big he would like the finished quilt to be and I cut it down to 12" x 13". Then I use the quick envelope method - no binding! - and get the quilt layers sewn together.

It looks good - cute even. At this point there's no quilting on the top and I can see some waviness from the embroidery.

I decide to see if there's a decorative stitch that I could use to add to the design at the same time as adding some quilting to the quilt.


What did I learn?  The creative sensation pro completes each step of a creative project with ease - and that sometimes, experience helps move a creative project along.


Snowflake stitch

Snowflakes! Perfect. I change to the blue thread and add a line of the stitch to the top of the quilt. Without asking my son first - sometimes experience is important and knowing when to add a bit more to finish a project can help make it something special.

If you look at the top left corner of the Color Touch Screen in the photo above you'll see that the snowflake stitch uses presser foot 2A. This foot doesn't use the IDT System that comes in PFAFF machines.


Foot 2A doesn't use IDT System

Quilt with top row of snowflake stitching

He loved it! Wants another line in fact along the bottom. But can it be done in time for bed tonight?

Did I forget to mention that he actually had a friend sleepover last night. And it's now the weekend and I'm still behind on laundry. Minor details to a child!


Penguin mini quilt done

So the quilt got used for the first time before it was finished. And his friend who slept over was interested in having a quilt made for his stuffed animal. They even looked through the Embroidery collection guide together. 

Now there's a gift and a memory!

I hope you learned from this post what I did from this experience:

You're never too young or too old to embrace the creative possibilities of the creative sensation pro. 


Thursday, June 23, 2016

Create embroidered bookmarks with PFAFF creative sensation pro


I played with the built in designs on the creative sensation pro in my last post which led to some ideas on how to use those designs to create little gifts.

This post goes through the steps to make embroidered bookmarks using one of the built in designs from the creative sensation pro. I hope it inspires you to play too!


PFAFF creative sensation pro

Embroidered bookmarks

materials

9" x 11" piece of fabric for front of bookmark
9" x 11" piece of batting
9" x 11" backing fabric - cut to size later
contrasting thread
creative 120 square hoop

leftover ribbon - optional


120 x 120 Square Hoop

Select an embroidery design. I used the one I saved in the last post that I discovered while playing and making a quilting sampler. I changed the hoop selection to the square 120 x 120 hoop.

I added the recipient's initials and positioned them below the design.


Bookmark design on mini quilt sampler

I put the front fabric with only the batting behind it in the hoop. I was concerned about the thread getting stuck in the batting, but it didn't.


Bookmark embroidery

There was enough design area in the hoop after the first bookmark was completed so I made another one!
I simply changed the initials by going back to embroidery edit and then moved the design to the opposite side of the hoop.


Design moved to right of hoop

Stitch out the second bookmark.


Second bookmark being stitched out

Trim bookmark fronts to 3" x 8".

Cut backing fabric same size.


Bookmarks cut to size

Put right sides together and sew around leaving turning gap along one side.

The IDT (Integrated Dual Feed ) System on PFAFF machines feeds fabric layers evenly through the feed dogs which means you can spend more time sewing and less time pinning!


Sewing without pins

On the second bookmark I decided to include a little ribbon loop at the top of the bookmark. Before you sew the layers together, tuck the folded ribbon between the top and bottom layers.


Folded ribbon between top and back layers

Turn and top stitch 1/8" from edge. I used blue thread to make the top stitching part of the design, but you could use a neutral thread to let it blend in to the background fabric. 

 


Embroidered bookmarks

It was really fun to take one of the embroidery designs to make a small project. I know my nieces will appreciate the bookmarks too. The more I play with the built in designs on the creative sensation pro, the more possibilities for creative projects appear!